Die Ölgemälde alles Simone Martini

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32632

Altar of St Louis of Toulouse

c. 1317 Tempera on wood, 200 x 138 cm

50999

and Madonna of Humility

1341 Fresco Notre-Dame-des-Doms

56630

angeln gabriel, bebadelsen

mk248 har ar forgyllningen markbar, angelns ard ar ristade i en bakgrund av matt bladguld. det fanns ingen valualagstiftning,sa professionlla guldslagare kun de utvinna bundra bld ur en enda ducat, det medeltida italiens guldmynt.

41518

Annuciation

mk164 1333 Uffizi Florence

25475

Annunciation (mk39)

1333 Tempera on wood 104 1/8x 120in

30396

Annunciation with Two Saints and Four Prophets

mk68 Tempera on wood 72 1/2x6'10" Florence Uffizi Early Ltalian

53650

Bebadelsen

mk234 1333 265x305cm

53651

Bebadelsen

mk234 about 1333 30.5x22cm

32631

Blessed Agostino Novello Altarpiece

1324 Tempera on wood, 198 x 257 cm

32634

Blessed Agostino Novello Altarpiece

1324 Tempera on wood

32642

Blessing Christ

c. 1317 Tempera on wood, 76 x 46 cm

32648

Burial of St Martin

1312-17 Fresco, 284 x 230 cm

2910

Christ Discovered in the Temple

1342 Walker Art Gallery, Liverpool

50873

Christ Discovered in the Temple

mk216 The 14th-century Sienese school reached its zenith in the work of Simone Martini

59768

Christ Discovered in the Temple

Christ Discovered in the Temple, 1342

55917

Christ on the Cross

mk247 c.1340,tempera and gold on panel,9x5in,24x13cm,fogg art museum,cambridge,MA,USA

32645

Christ Returning to his Parents

1342 Tempera on wood, 49,5 x 35 cm

2897

Consecration of the Chapel (Detail)

1321 Lower Church of San Francesco, Assisi

59769

detail depicting Saint Clare of Assisi from a fresco in the Lower basilica of San Francesco

detail depicting Saint Clare of Assisi from a fresco (1312?C20) in the Lower basilica of San Francesco, Assisi

51681

Detail of the Annunciation and two saints

nn09 1333 Tempera on wood 184x210cm overall

2903

Division of the Cloak

1321 Lower Church of San Francesco, Assisi

32649

Equestrian portrait of Guidoriccio da Fogliano

1328-30 Fresco, 340 x 968 cm

32650

Equestrian portrait of Guidoriccio da Fogliano

1328-30 Fresco, 340 x 968 cm

40142

Equestrian Portrait of Guidoricco da Fogliano

mk156 1328-30 Fresco 340x968cm

21157

Guidoriccio da Ffogliano (mk08)

C.1328 Fresco. 340x968cm Siena,Palazzo Pubblico

33272

Guidoriccio da Fogliano

mk83 1328 Fresco 340x967cm

33317

Guidoriccio da Fogliano

mk86 c.1328 Fresco 340x968cm Siena Palazzo Pubbico

30395

Guidoriccio da Fogliano Besieging Mote Massi

mk68 Fresco Siena,Palazzo Pubbico 1330-1333 Italy

41917

Her Madona of the Sign

mk166 tempera 30.5x21.5cm Museo of the Hermitage San Petersburgo

53652

Jesus aterfinns in the sanctuary

mk234 1342 50x35cm

57225

Jesus crucified like back

mk255 plastic painting dyes, gold background, Yang wood about 0.30 meters, 0.20 meters wide Louvre

41929

La Anunciacion,Con los Santos Ansano y Margarina y Cuatro profesar

mk166 1333 Temperamento sobriedad tribunal de madera 184x114cm

42610

Lodewijk of Toulouse Crowns Robert of Anjou, King of Napels

MK169 1317 Panel 200x138cm Predella 50x174.6cm Museu Tue Capodimonte, Napels

41935

Madona de la Misericordia

mk166 Siglo XIII, Pinacoteca,Siena,Italia

2909

Madonna and Child aaa

1308-1310 Pinacoteca, Siena

32652

Madonna and Child between St Stephen and St Ladislaus

1318 Fresco, 110 x 200 cm

32636

Madonna and Child with Angels and the Saviour

1320 Tempera on wood, 165 x 57 cm

32638

Madonna of Mercy

1308-10 Tempera on wood, 154 x 84 cm

34254

Madonna of the Annunciation

mk91 Wing of a diptych. Second half 1330s Tempera on panel 30.5x21.5

25473

Madonna with Child (mk39)

1321 34 1/4x20in Pinacoteca Nazionale,Siena.

33288

Madonna with Child and Saints

mk83 c.1320 Tempera on wood center panel 192x64cm

59770

Madonna with the Holy Ones,

Madonna with the Holy Ones, 1319

33271

Maesta

mk83 c.1315 Fresco 763x970cm

33303

Maesta

mk86 1315/16 Fresco 10.58x9.77 Siena,Palazzo Pubblico. Museo Civico

21143

Maesta (mk08)

1315/16 Fresco. 10.58x9.77m Siena,Palazzo Pubblico. Museo Civico

2894

Miracle of Fire

1321 Lower Church of San Francesco, Assisi

2895

Miraculous Mass

1321 Lower Church of San Francesco, Assisi

45706

Museums national scenes out of life the Hl. Bertim

mk186 1459 Berlin foundation, Gemaldegalerie

2906

Orsini Diptych

1325-35 Musee du Louvre, Paris

32630

Orvieto Polyptych

c. 1321 Tempera on wood, 113 x 257

59766

Petrach Virgil

Petrach's Virgil (title page) (c. 1336) Illuminated manuscript, 29,5 x 20 cm Biblioteca Ambrosiana, Milan

2911

Petrach's Virgil

1336 Biblioteca Ambrosiana, Milan

32640

Petrach's Virgil, title page

c. 1336 Illuminated manuscript, 29,5 x 20 cm

51001

predella

c. 1317 Tempera on wood, 56 x 38 cm

32639

Saint Martin Renounces his Weapons

1312-17 Fresco, 265 x 230 cm

51000

Saviour Blessing and Madonna of Humility

1341 Third synopias Palace of Popes

40134

Sienese School

mk156 1317 Fresco Palazo Pubblico San Gimignano

32653

St Anthony and St Francis

1317 Fresco, 215 x 185 cm

32637

St Catherine and St Lucy

1320-25 Tempera on wood, 54 x 41 and 51 x 40 cm

32655

St Clare and St Elizabeth of Hungary

1317 Fresco, 215 x 185 cm

32644

St Elisabeth, St Margaret and Henry of Hungary

1318 Fresco, 120 x 228 cm

51002

St Francis and St Louis of Toulouse

1318 Fresco, 120 x 152 cm Lower Church, San Francesco

32641

St John the Evangelist

1330-39 Tempera on wood, 34,5 x 24 cm

32646

St Ladislaus, King of Hungary

c. 1326 Tempera on wood, 45,5 x 21,5 cm

32654

St Louis of France and St Louis of Toulouse

1317 Fresco, 215 x 185 cm

64642

St Margaret

1318 Fresco, 67 x 55 cm (size of detail) Lower Church, San Francesco, Assisi According to the legend St Margaret was thrown into prison because she rejected Olybrius, the Roman governor. In the prison she was attacked by the Devil and, while at prayer, swallowed by a dragon. Since she was carrying a small crucifix she was able to cut a hole in the monsters belly and escaped. Her attributes are the cross and the dragon. Artist:SIMONE MARTINI Title: St Margaret (detail), 1301-1350, Italian , painting , religious

21156

St Martin is dubbed a Knight (mk08)

Fresco.265x200cm Assisi,San Franceso Lower Church

33316

St Martin is dubbed a Knight,between 1317 and 1319

mk86 Fresco 265x200cm Assisi,San Franceso Lower Church

32635

St. Martin is Knighted

1312-17 Fresco, 265 x 200 cm

2901

St.Clare and St.Elizabeth of Hungary

1321 Lower Church of San Francesco, Assisi

2900

St.Louis of France and St.Louis of Toulouse

1321 Lower Church of San Francesco, Assisi

2899

St.Martin is Knighted

1321 Lower Church of San Francesco, Assisi

2902

St.Martin Renouncing the Sword

1321 Lower Church of San Francesco, Assisi

32643

t Francis and St Louis of Toulouse

1318 Fresco, 120 x 152 cm

2892

The Angel of the Annunciation

1333 National Gallery of Art, Washington DC

2904

The Angel of the Annunciation

Musee Royal des Beaux Arts, Antwerp

2907

The Annunciation and the Two Saints

1333 Galleria degli Uffizi, Florence

29710

The Annunciation with SS.Ansanus and Margaret and Four Prophets

mk67 Tempera on panel 72 7/16x44 7/8in

59767

The Annunciation with St. Margaret and St. Asano,

The Annunciation with St. Margaret and St. Asano, 1333

55915

The annunciation with Two Saints

mk247 1333,tempera on wood,104x120 in,265x305cm,uffizi,florence,ltaly

19974

The Carrying of the Cross (mk05)

Wood, 11 x 6 1/4''(28 x 16 cm.)Entered the Louvre in 1834

32647

The Death of St. Martin

1312-17 Fresco, 284 x 230 cm

2893

The Death of St.Martin

1321 Lower Church of San Francesco, Assisi

33320

The Deposition

mk86 Tempera on wood 29.7x20.5cm

21159

The Deposition (mk08)

c.1315 Tempera on wood 29.7x20.5cm Antwerpen,Koninklijk Museum voor Schone Kunsten

32633

The Dream of St. Martin

1312-17 Fresco, 265 x 200 cm

2898

The Dream of St.Martin

1321 Lower Church of San Francesco, Assisi

40965

The Madonna From the Annunciation

mk159 Tempera on panel 30.5x21.5cm

2896

The Miracle of the Resurrected Child

1321 Lower Church of San Francesco, Assisi

33318

The Road to Calvary

mk86 c.1315 Tempera on wood 29.5x20.5cm Paris,Musee National du Louvre

21158

The Road to Calvary (mk08)

c.1315 Tempera on wood. 29.5x20.5cm Paris,Musee National du Louvre

2905

The Virgin of the Annunciation

Musee Royal des Beaux Arts, Antwerp

2908

The Virgin of the Annunciation

The Hermitage, St.Petersburg

43604

The Virgin of the Annunciation

1333 Tempera on wood, 30,5 x 21,5 cm

29132

Virgin Annunciate

mk65 Tempera on panel 12x8 1/2"

32629

Window

c. 1312 Stained glass, 570 x 400 cm

Simone Martini

1283-1344 Italian Simone Martini Locations He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time. His brother-in-law was the artist Lippo Memmi. Very little documentation survives regarding Simone's life, and many attributions are debated by art historians. Simone Martini died while in the service of the Papal court at Avignon in 1344. Simone was doubtlessly apprenticed from an early age, as would have been the normal practice. Among his first documented works is the Maest?? of 1315 in the Palazzo Pubblico in Siena. A copy of the work, executed shortly thereafter by Lippo Memmi in San Gimignano, testifies to the enduring influence Simone's prototypes would have on other artists throughout the fourteenth century. Perpetuating the Sienese tradition, Simone's style contrasted with the sobriety and monumentality of Florentine art, and is noted for its soft, stylized, decorative features, sinuosity of line, and unsurpassed courtly elegance. Simone's art owes much to French manuscript illumination and ivory carving: examples of such art were brought to Siena in the fourteenth century by means of the Via Francigena, a main pilgrimage and trade route from Northern Europe to Rome. Simone's major works include the Maest?? (1315) in the Palazzo Pubblico in Siena, St Louis of Toulouse Crowning the King at the Museo di Capodimonte in Naples (1317), the S. Caterina Polyptych in Pisa (1319) and the Annunciation and two Saints at the Uffizi in Florence (1333), as well as frescoes in the Chapel of St. Martin in the lower church of the Basilica of San Francesco d'Assisi. Francis Petrarch became friend with Simone while in Avignon, and two of his sonnets make reference to a portrait of Laura de Noves he supposedly painted for the poet.

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